photo by Mike Wash
Music Production, Mixing & Mastering
Referencing on Precision MTM, Amphion One15, Custom Auratone, and Kali IN8 V2
Audio clients and collabs have included South Street Sam, Lance Skiiiwalker of TDE, Miles Chancellor, BNYX, Justin “SlowWaveAudio” Miller, TJ Atoms of Wu-Tang: An American Saga, AzizTheShake, Michael Christmas, Soul Dolphin, Raekwon, Slaine, Fade Lowe, Marv Mack, Andrea Valle, Anyee Wright, Chase Smith, The TV Internet Radio Video Podcast, Penn Carey Law, Y-Not Radio, Milkboy the Studio, Rittenhouse Soundworks, Ryan Easter, Trust Fund Kids, Tha Riva, Mike Irving, Laura Geosits, Thee Idea Men, Chelsea Reed and the Fair Weather Five, and more
Mastering Examples:
Mixing EXAMPLES:
Rates and Offers:
Mixing: 475 per track - lower rates for full album mixing and/or splits negotiation
Mastering: 80 per track - lower rates for full album mastering
Music Production: negotiate flat fee and/or royalty splits per specific track or project
Vocal Recording: 100 per hour
Band Recording: 100 per hour and/or 600 per 8-hour day, with heavily discounted mixing and mastering
Rates are negotiable: willing to work within your budget (details permitting), with combination of hourly rate, flat fees, financing, and/or royalty splits
Deposit due for any work ordered
Don’t hesitate to get in touch, let’s talk about your project
photo by BLAMEUNC
Mixing STYLE:
High Fidelity Mix: modern clarity in highs and lows
Neo-Vintage Mix: mid-range tonal emphasis with high fidelity low end
Lo-fi Mix: more analog distortion, vinyl and tape quality, grungy character
Custom Mix: choose a mixture of high fidelity, neo-vintage and/or lo-fi elements to complete your vision
Note: Mixing choices are limited by the nature of the specific recording, arrangement and production
Mixing includes, if Applicable:
Free virtual listening session, to come up with a game plan for your track or project, overview of your reference mixes and inspiration
Adjusting track balance to enhance the energy, focal points, authenticity, and clarity
Rhythmic improvement, punch and overall drum improvement
Effect automation, vocal/instrument volume riding and processing
Enhancement of sound character, tone, and harmonic quality
Three free mix revisions
Final mix delivery includes high resolution 48khz 24bit WAV files, Instrumental mix, and a TV Track/Performance Mix (Instrumental with chorus and background vocals)
And more creative mixing decisions, if requested:
Adding sound effects or production elements, crafting an album narrative through sound design, song transitions, and pre-mastering sessions to ensure cohesiveness of project
Re-amping vocals and instruments in a live chamber room, catching real reverb to enhance spacial qualities
Additional Services:
Feedback or guidance with album arrangement and/or tracklist
Overdub Production (ie. added guitar, percussion, analog synth etc.)
Pre-Mastering Production (ie. refining song transitions and/or added interlude recordings)
Podcast Editing, Audio Editing, Dialogue/Narrative Editing, Audiobook Editing
photo by Greg Wilson
Band Recording At Phyllis Studio:
16 mic inputs for band recording, analog rack gear, a wide variety of plugins, and three reference monitoring systems for highest quality mix and mastering translation. A variety of unique, high quality microphones for use in recording, production, re-amping, overdubs, and sound design; electric guitars, acoustic and classical guitars, analog synth, full drum set, sound effects, congas, shakers and other percussion instruments. DAWs include UAD Luna (mixing, mastering, and recording), Ableton, and Reason Studios (music production).
Located in Philadelphia, PA, with an isolated control room and a large live room for band recordings, as well as reverb chambers for instrument and vocal re-amping. Band recording is available for 100 per hour and/or 600 per 8-hour day, bundled with heavily discounted mixing and mastering. Vocal recording is also available at 100 per hour.
